David Fray (07.03.2021-Live-Monaco)

Concert of the Monte-Carlo Philharmonic Orchestra
Piano and cond.: David Fray

1. Johann Sebastian Bach:
a) Concerto in D minor BWV 1052,
b) Concerto in A major BWV 1055,

2. Wolfgang Amadeus Mozart: Piano Concerto No.24 in C minor K. 491,

encore: Johann Sebastian Bach: Goldberg Variations BWV 988 – Aria (ea.: Fray)
(Monaco, Monte-Carlo, Rainier III Auditorium, March 7, 2021)

Martin Sieghart - Bruckner. S3 (Gyor, Richter Hall, November 8, 2024)

 Concert of the Győr Philharmonic Orchestra

Conductor: Martin Sieghart

Km: Selina Ott (trumpet)

1. Mieczyslaw Weinberg: Trumpet Concerto in B-flat major op.94 (Ott),

2. Anton Bruckner: Symphony No. 3 (D minor) WAB 103 (1889 version)

(Győr, Richter Hall, November 8, 2024)

[folk] Рождественская Терем Квартет Софья Селезнева

 Рождественская Терем Квартет Софья Селезнева

https://mega.nz/file/4pIjTRIC#xxY9v15QTskw-jZ1UA-eiDgWeT4Tk3TvO_SpNYjOfVA

Hannes Minnaar, Karina Canellakis - Shostakovich.S8 (11.05.2024-Live-Amsterdam)

1. Jan-Peter de Graaff - Concert No. 7, for luthéal and orchestra

2. Dmitry Shostakovich - Symphony No. 8

Hannes Minnaar (piano/luthéal), Karina Canellakis (Dirigent)

Radio Philharmonic Orchestra

Location - the Concertgebouw, Amsterdam

Recording date - Saturday 11 May 2024

The tragic Eighth of Shostakovich

On 12 October 2019, the much-discussed inauguration concert of Karina Canellakis with a beautiful performance of SjostakovitsjShostakovich’s Tenth Symphony ended. Today she returns to the Russian composer with her favorite: the Eighth Symphony. This second ‘war symphony’, written in 1943, is called Shostakovich’s most tragic work. The rulers therefore considered the work to be completely unsuitable for Soviet propaganda. The symphony was banned shortly after the premiere until 1956.

Hannes Minnaar plays piano and luthaéal

The Dutch composer who, when it comes to great gestures and finesse, can compete with Shostakovich is Jan-Peter de Graaff. According to Het Parool, Le café de nuit, an earlier commission of the Saturday Material, already showed his ‘remarkable mastery of the orchestral palette’. Again on commission, he this time answers Hannes Minnaar’s interest in the luthéal, an extension of the wing from the beginning of the twentieth century on which the timbre can be changed with different registers. A nice renewed acquaintance with this special instrument.

[folk] Час да по часу (Hour After Hour) - Alexandra Strelchenko

 Час да по часу (Hour After Hour) - Alexandra Strelchenko

 

 https://mega.nz/file/QpoTgIxL#cJlawpswnsUAknBwbMaEIjlzGB5uLOLeWIkT2li59jM

[folk] Час да по часу (Hour After Hour) - Pavel Ivanovich Necheporenko; Valentina Vladimirova

 Час да по часу (Hour After Hour) - Pavel Ivanovich Necheporenko - balalaika; Valentina Vladimirova - piano

Rec.1980 (Radio St.Peterburg)

Abouzahra Amira, Mikhai Pletnev (03.05.2023-Live-Budapest)

 CONCERTO BUDAPEST

Director: Mikhail Pletnev

Km.: Amira Abouzahra (violin)

1. Jean Sibelius:

a) Pelléas and Mélisande - suite op. 46,

b) Violin Concerto in D minor, op. 47 (Abouzahra),

encore: Johann Sebastian Bach: Partita BWV 1004 in D minor – Sarabande (ea.: Abouzahra),

2. Sergei Rachmaninoff: Island of the Dead - symphonic poem op. 29,

3. Alexander Scriabin: The poem of ecstasy, op. 54

(Béla Bartók National Concert Hall, May 3, 2023)