Carnegie Hall Live
Vienna Philharmonic Performs the Ring Without Words
Saturday, March 03, 2012
Lorin Maazel leads the Vienna Philharmonic at Carnegie Hall Lorin Maazel leads the Vienna Philharmonic at Carnegie Hall (Melanie Burford/NPR)
Lorin Maazel assembled The Ring Without Words, his 70-minute distillation of Wagner's four-opera, 17-hour cycle at the request of Telarc Records in 1987. The piece features no voices, only Wagner's rich orchestral tapestry. It has taken on a life of its own, and the conductor brings it to New York as part of the Vienna Philharmonic's three-night stand at Carnegie Hall.
The program also features a pinnacle of Viennese classicism, Mozart’s Symphony No. 40.
Program Details
Vienna Philharmonic Orchestra
Lorin Maazel, Conductor
WOLFGANG AMADEUS MOZART - Symphony No. 40 in G Minor, K. 550
RICHARD WAGNER / LORIN MAAZEL - The Ring Without Words, for Orchestra
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radio orpheus
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Showing posts with label Maazel. Show all posts
Showing posts with label Maazel. Show all posts
Tuesday, March 17, 2015
Friday, February 20, 2015
Lorin Maazel (Live - Berlin) FLAC
Lorin Maazel
Mit Werken von Igor Strawinsky und Gustav Mahler
Am ersten Freitag des Monats stehen unter der Überschrift KLASSIK BERLIN legendäre, außergewöhnliche, fast vergessene oder auch einfach geliebte Aufnahmen im Programm. Ein Streifzug durch unser Archiv – vor allem aber eine Zeitreise durch das Musikleben Berlins mit seinen hochrangigen Orchestern und Ensembles. Auch zum Aufhorchen geeignet.
Igor Strawinsky
Le chant du rossignol, Sinfonische Dichtung für Orchester, op. 26
Radio-Symphonie-Orchester Berlin
Violinkonzert D-Dur
Kyung-Wha Chung
Radio-Symphonie-Orchester Berlin
Gustav Mahler
Sinfonie Nr. 4 G-Dur für Sopran und Orchester
Janis Martin
Radio-Symphonie-Orchester Berlin
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kulturradio.de
Mit Werken von Igor Strawinsky und Gustav Mahler
Am ersten Freitag des Monats stehen unter der Überschrift KLASSIK BERLIN legendäre, außergewöhnliche, fast vergessene oder auch einfach geliebte Aufnahmen im Programm. Ein Streifzug durch unser Archiv – vor allem aber eine Zeitreise durch das Musikleben Berlins mit seinen hochrangigen Orchestern und Ensembles. Auch zum Aufhorchen geeignet.
Igor Strawinsky
Le chant du rossignol, Sinfonische Dichtung für Orchester, op. 26
Radio-Symphonie-Orchester Berlin
Violinkonzert D-Dur
Kyung-Wha Chung
Radio-Symphonie-Orchester Berlin
Gustav Mahler
Sinfonie Nr. 4 G-Dur für Sopran und Orchester
Janis Martin
Radio-Symphonie-Orchester Berlin
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kulturradio.de
Wednesday, December 10, 2014
Lorin Maazel in Rome, Auditorium Foro Italico, january 5, 1974
LORIN MAAZEL in Rome
Auditorium Foro Italico, january 5, 1974
Orchestra Sinfonica RAI di Roma
FELIX MENDELSSHON
Symphony n.5 in D maj. op.107 “Reformation”
ROBERT SCHUMANN
Symphony n. 4 in D min. op.120
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Gift Angelo from Italy.
Auditorium Foro Italico, january 5, 1974
Orchestra Sinfonica RAI di Roma
FELIX MENDELSSHON
Symphony n.5 in D maj. op.107 “Reformation”
ROBERT SCHUMANN
Symphony n. 4 in D min. op.120
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Gift Angelo from Italy.
Saturday, November 1, 2014
Lorin Maazel (15.09.2013 - Live - Lucerne) MP3
Vienna Philharmonic | Lorin Maazel | Martin Grubinger
Sun, 15 September 2013 | 19.30 | KKL Luzern, Concert Hall | 655
Martin Grubinger (Michael Herdlein)
Vienna Philharmonic | Lorin Maazel conductor | Martin Grubinger percussion
Friedrich Cerha (*1926)
Concerto for Percussion and Orchestra
Dmitri Shostakovich (1906-1975)
Symphony No. 5 in D minor, Op. 47
“It is a game that may end very badly.” This open threat, which appeared in 1936 in the Soviet newspaper Pravda, stigmatized Dmitri Shostakovich. His music was described there as merely a decadent “clatter and rattle” and was condemned as noisy and neurotic. Shostakovich was well aware of what these words meant: from that point onward he lived in constant fear of death. Through his Fifth Symphony he attempted – according to the official version – to rebut these allegations, but decades later the true meaning of the “positive” finale was revealed: the euphoria of its pounding drums and trumpets was only forced: “It’s as if someone were beating you with a stick and saying, ‘You have to rejoice, you have to rejoice!’” But there will be no compulsion when “artiste étoile” Martin Grubinger brings the evening to a brilliant conclusion with the drumming, pounding, and beating that Friedrich Cerha’s composition for him requires. This work, says Grubinger, “is the most musically valuable that we have in the repertoire. But it also contains the most difficult passages that I know…”
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WQXR radio
Sun, 15 September 2013 | 19.30 | KKL Luzern, Concert Hall | 655
Martin Grubinger (Michael Herdlein)
Vienna Philharmonic | Lorin Maazel conductor | Martin Grubinger percussion
Friedrich Cerha (*1926)
Concerto for Percussion and Orchestra
Dmitri Shostakovich (1906-1975)
Symphony No. 5 in D minor, Op. 47
“It is a game that may end very badly.” This open threat, which appeared in 1936 in the Soviet newspaper Pravda, stigmatized Dmitri Shostakovich. His music was described there as merely a decadent “clatter and rattle” and was condemned as noisy and neurotic. Shostakovich was well aware of what these words meant: from that point onward he lived in constant fear of death. Through his Fifth Symphony he attempted – according to the official version – to rebut these allegations, but decades later the true meaning of the “positive” finale was revealed: the euphoria of its pounding drums and trumpets was only forced: “It’s as if someone were beating you with a stick and saying, ‘You have to rejoice, you have to rejoice!’” But there will be no compulsion when “artiste étoile” Martin Grubinger brings the evening to a brilliant conclusion with the drumming, pounding, and beating that Friedrich Cerha’s composition for him requires. This work, says Grubinger, “is the most musically valuable that we have in the repertoire. But it also contains the most difficult passages that I know…”
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WQXR radio
Tuesday, September 16, 2014
Brahms - Serenade No.2 - Lorin Maazel, CSO (February, 2005) MP3
The concerts Lorin Maazel led in February, 2005, were also his final appearance on the CSO Radio Broadcast series. In remembrance of Lorin Maazel, please enjoy the recording below of Brahms’ Serenade No. 2, and a brief interview in which Maazel reflects on the composer.
Thursday, August 28, 2014
Samson Francois (20.01.1964 & 21.09.1958 - Live - Paris, Pleyel Hall) FLAC
Samson Francois Piano Recital
1. Mozart: Sonata in B-flat major, K. 282,
2. Prokofiev: Sonata No.7
(Paris Pleyel hall, 1964th January 20),
3. Prokofiev: Piano Concerto No.5
(French National Orchestra, conductor: Lorin Maazel)
(Paris Pleyel hall, 1958th Sept. 21)
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Bartok radio
1. Mozart: Sonata in B-flat major, K. 282,
2. Prokofiev: Sonata No.7
(Paris Pleyel hall, 1964th January 20),
3. Prokofiev: Piano Concerto No.5
(French National Orchestra, conductor: Lorin Maazel)
(Paris Pleyel hall, 1958th Sept. 21)
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Bartok radio
Sunday, August 3, 2014
Lorin Maazel (30.05.2013 - Live - Schoenbrunn) FLAC
In memoriam Lorin Maazel (March 6, 1930 – July 13, 2014)
Summernightconcert of the Vienna Philharmonic Orchestra in Schönbrunn 2013Vienna Philharmonic. Conductor: Lorin Maazel. Solist: Michael Schade, Tenor.
Date: Thursday, 30. May 2013, 9:00 pm. Place: Schloss Schönbrunn, Schlosspark
With the free concert in the gardens of the Schönbrunn Palace , the Vienna Philharmonic will offer their audience a great experience : Schönbrunn Palace and its baroque park , which are UNESCO World Heritage Sites , form a unique setting for this musical gift.
01. Aida, Akt II: Triumphmarsch 07:50 (Giuseppe Verdi)
02. Die Meistersinger von Nürnberg, Akt I: Vorspiel 12:49 (Richard Wagner)
03. I Lombardi, Akt II: "La mia letizia infondere" 03:37 (Giuseppe Verdi)
04. Otello, Akt III: Ballett 07:14 (Giuseppe Verdi)
05. Tristan und Isolde, Akt I: Vorspiel 12:35 (Richard Wagner)
06. Tristan und Isolde, Akt III: Liebestod 08:35 (Richard Wagner)
07. Luisa Miller, Akt I: Ouvertüre 07:12 (Giuseppe Verdi)
08. Lohengrin, Akt III: "In fernem Land, unnahbar euren Schritten" 07:45 (Richard Wagner)
09. La forza del destino, Akt I: Ouvertüre 08:44 (Giuseppe Verdi)
10. Die Walküre, Akt III: Vorspiel 06:42 (Richard Wagner)
11. Wiener Blut, Walzer Op. 354 10:30 (Johann Strauss)
12. Éljen a Magyar! Polka schnell, Op. 332 03:10 (Johann Strauss)
13. Closing Credits 02:31
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Radio Orpheus
Blu-ray - http://rutracker.org/forum/viewtopic.php?t=4524636
Monday, July 14, 2014
Lorin Maazel (20.03.2014 - Live - London) FLAC (RE-POST)
In memoriam Lorin Maazel (March 6, 1930 – July 13, 2014)
Live at Southbank Centre - Strauss 150: PhilharmoniaFirst broadcast:
Thursday 20 March 2014
Live from the Royal Festival Hall, London.
For the 150th anniversary of Richard Strauss, Lorin Maazel conducts the Philharmonia in An Alpine Symphony and Also sprach Zarathustra.
Strauss: An Alpine Symphony
Strauss: Also sprach Zarathustra
Philharmonia Orchestra
conductor Lorin Maazel
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bbc radio 3
Lorin Maazel (14.10.2000 - Live - Amsterdam) FLAC (RE-POST)
In memoriam Lorin Maazel (March 6, 1930 – July 13, 2014)
1. Strauss, Richard - Le bourgeois gentilhomme, suite for orchestra
2. Strauss, Richard - Symphonia Domestica, Op.53
Royal Concertgebouw Orchestra, Lorin Maazel - conductor
Amsterdam, Concertgebouw, 14.10.2000
Radio Orpheus
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