Bernard Haitink - Mahler. S3 (29.07.2016-Live-London) FLAC

Prom 18: Mahler - Symphony No 3
BBC Proms, 2016

Live at BBC Proms: in the 50th-anniversary year of his first appearance at the Proms, Bernard Haitink conducts the London Symphony Orchestra in Mahler's longest symphony, the Third, with mezzo-soprano Sarah Connolly.

Live from the Royal Albert Hall, London, 29.07.2016

Mahler: Symphony No 3 in D minor

Sarah Connolly (mezzo-soprano),
London Symphony Chorus (women's voices),
Tiffin Boys' Choir,
London Symphony Orchestra,
Bernard Haitink (conductor)

On the shores of the Attersee in Upper Austria, the hut still stands in which Gustav Mahler set about creating one of the most overwhelming visions of nature in all art. The composer's Third Symphony harnessed the expanse that surrounded him. Horns bray and trombones growl in the face of nature's primeval power; human voices move from grief to hope before, as Mahler declared, 'nature in its totality rings and resounds'.

In the 50th-anniversary year of his first appearance at the Proms, Bernard Haitink conducts Mahler's mighty nature symphony.

Emil_Gilels,Bernard_Haitink (03.10.1976 - Live - Amsterdam) MP3

Legendarisch archief: pianist Emil Gilels in Amsterdam
Deel concert

    Symfonie nr.30, KV.202 in D gr.t. - compleetWolfgang Amadeus Mozart
    Concert voor piano en orkest nr.27, KV.595 in Bes gr.t. - compleetWolfgang Amadeus Mozart
    Symfonie nr.3, op.90 in F gr.t. - compleetJohannes Brahms

Concert informatie

Als de serie Meesterpianisten in het Amsterdamse Concertgebouw een paar jaar eerder was begonnen, had in het programmaboekje zeker weten de naam Emil Gilels gestaan. De pianist uit Oekraine overleed in 1985, maar liet een indrukwekkende staat van dienst achter. Een van de grootste pianisten uit de twintigste eeuw wordt hij wel genoemd.

In 1976 was hij op bezoek in Amsterdam om daar samen met het Koninklijk Concertgebouworkest Mozarts Concert voor piano en orkest nr.27 te spelen. Verder speelde het orkest nog twee stukken: Symfonie nr. 30 van Mozart en Symfonie nr. 3 van Brahms. Bernard Haitink zat ongeveer halverwege zijn tijd als chef-dirigent van het orkest en zwaait de scepter over dit concert.

    Opnamedatum: 3 oktober 1976
    Componisten: Johannes Brahms Wolfgang Amadeus Mozart
    Uitvoerende: Emil Gilels (piano)
    Dirigent: Bernard Haitink
    Orkest: Koninklijk Concertgebouworkest
    Locatie: Concertgebouw Amsterdam

Bernard Haitink (Aufnahme vom 6. September 2014) FLAC

 Festspielzeit: Festkonzert Zum 60. Jahrestag des Dirigentendebüts von Bernard Haitink

BR-KLASSIK

Netherlands Radio Philharmonic Orchestra
Solistin: Anne Schwanewilms, Sopran
Richard Wagner: "Tristan und Isolde", Liebestod der Isolde aus dem 3. Aufzug; Alban Berg: Sieben frühe Lieder; Gustav Mahler: Symphonie Nr. 4 G-Dur
Aufnahme vom 6. September 2014

David Oistrakh - Prokofiev - Violin Concerto No.1 - Haitink, Concertgebouw (1972) FLAC

From this set

 Prokofiev - Violin Concerto No. 1

David Oistrakh - violin
Bernard Haitink -- Royal Concertgebouw Orchestra

Rec. October 8, 1972

"LIVE -- The Radio Recordings"
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Radio St.Petersburg

CSO - Beethoven - Symphony No.3 (Edo de Waart, 2013), Symphony No.6 (Haitink, 2010) MP3

Edo de Waart conducts ‘Eroica’
Chicago SO

Two Dutch conductors lead two of Beethoven’s most moving symphonies, with Edo de Waart conducting the Eroica and Bernard Haitink the Pastoral. The program begins with Beethoven’s Leonore Overture No. 3.

Ludwig van Beethoven Leonore Overture No. 3, Op. 72b
Beethoven Symphony No. 3 in E-Flat Major, Op. 55 (Eroica)
Originally recorded at concerts on Jan. 10, 11, 12 and 15, 2013

Beethoven Symphony No. 6 in F Major, Op. 68 (Pastoral)
Chicago SO
Bernard Haitink, conductor
Originally recorded at concerts on June 10 and 11, 2010
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radio CSO

At the concerts of the Boston Symphony Orchestra (2013-2014 season) MP3

Isabelle Faust, Bernard Haitink (05.06.2014 - Live - London) FLAC

Bernard Haitink and COE - Schumann, Berg, Beethoven

First broadcast:
    Thursday 05 June 2014

Bernard Haitink conducts the Chamber Orchestra of Europe in works by Schumann, Berg and Beethoven live from London's Barbican Hall, with violinist Isabelle Faust

Schumann: Overture to Manfred
Berg: Violin Concerto

Beethoven: Symphony no.6 'Pastoral'

Isabelle Faust (violin)
Chamber Orchestra of Europe
Bernard Haitink (conductor)
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bbc radio 3

Beethoven - Symphony No.6 - Bernard Haitink, CSO (10 & 11.06.2010) MP3

Beethoven Symphony No. 6 in F Major, Op. 68 (Pastoral)
Chicago Symphony Orchestra,
Bernard Haitink, conductor
Originally recorded at concerts on June 10 and 11, 2010
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CSO radio

Bernard Haitink (18.07.2014 - Live - Salzburg) FLAC

Festspielzeit: Salzburger Festspiele Joseph Haydn: "Die Schöpfung"
Bernard Haitink

heute, 18.07.2014
19:30 bis 22:00 Uhr

BR-KLASSIK

Oratorium in drei Teilen
Camilla Tilling, Sopran; Mark Padmore, Tenor; Hanno Müller-Brachmann, Bariton
Chor des Bayerischen Rundfunks
Einstudierung: Peter Dijkstra
Symphonieorchester des Bayerischen Rundfunks
Leitung: Bernard Haitink

At the concerts of the Boston Symphony Orchestra (2012-2013 season) MP3 - Posted by CUE for all concerts

Downloaded radio broadcasts of concerts from the site of the Boston radio to your mp3-128

Posted by CUE for all concerts (Comments)

BSO Concert Channel Playlist:

Bernard Haitink (25.08.2011 - Live - Lucerne) FLAC

Chamber Orchestra of Europe | Bernard Haitink
Thu, 25 August 2011 | 19.30 | KKL Luzern, Concert Hall
Bernard Haitink conducts the Chamber Orchestra of Europe 

Chamber Orchestra of Europe | Bernard Haitink conductor
Johannes Brahms (1833-1897)
Tragic Overture Op. 81
Variations on a Theme by Joseph Haydn, Op. 56a
Symphony No. 4 in E minor, Op. 98

Johannes Brahms had an ambivalent relationship with his own era: “No other age at all has so mistreated art as badly we do our beloved music. I can only hope that something better is being produced in secret; otherwise our age will be considered a dunghill in the history of art,” wrote the composer in October 1859. He had put together a collection of “sayings from poets, philosophers, and artists” in which he also included an observation by Johann Peter Eckermann: “Form is something created through a thousand years of effort by the most outstanding masters, and no latecomer can ever be too eager to appropriate it.” Brahms followed this advice and took up studies in counterpoint, along with exercises imitating the different styles of music history. These efforts later bore fruit in his mastery of the art of variation, as heard in the great Passacaglia movement of the Fourth Symphony. An advance or a step backward? For Brahms, who was concerned with creating “enduring music,” such a question was pointless.

Bernard Haitink (23.08.2011 - Live - Lucerne) FLAC

Chamber Orchestra of Europe | Bernard Haitink | Hanno Müller-Brachmann
Tue, 23 August 2011 | 19.30 | KKL Luzern, Concert Hall
Chamber Orchestra of Europe 

Chamber Orchestra of Europe | Bernard Haitink conductor | Hanno Müller-Brachmann bass-baritone
Johannes Brahms (1833-1897)
“Academic Festival Overture”, Op. 80

Franz Schubert (1797-1828)
“Memnon”, “Geheimes” and “An Schwager Kronos,” orchestrated by Johannes Brahms

Johannes Brahms (1833-1897)
Symphony No. 3 in F major, Op. 90