Hannu Lintu - Shostakovich.S8 (04.04.2018-Live-Helsinki) FLAC

Wed 04.04.2018 -
19.00 to 21.00
HALL: Concert Hall
Helsinki Music Centre, Concert Hall
ESTIMATED DURATION: 2 hours
ORGANIZER: Finnish Radio Symphony Orchestra

Vadim Gluzman plays Vasks’ violin concerto.
Latvian Pēteris Vasks is a neo-mystical composer for whom music is a means of addressing the enigma of existence. The soloists in his violin concerto are Vadim Gluzman, an Israeli born in Ukraine, and his Stradivarius. The middle work in Shostakovich’s war trilogy (symphonies 7–9) won a standing ovation that lasted half an hour at its premiere. And tonight?


Repertoire
Peteris Vasks - Distant Light
Dmitri Shostakovitsh - Sinfonia nro 8 op. 65

Hannu Lintu - conductor
Vadim Gluzman - violin
Finnish Radion Symphony Orchestra

exellent....

Anna Vinnitskaya, Christoph Konig (10.10.2016-Live-Luxembourg)

SEL / König / Vinnitskaya
10.10.2016 20:00, Grand Auditorium, Luxembourg

Solistes Européens, Luxembourg
Christoph König direction
Anna Vinnitskaya piano

Peter Warlock: Capriol Suite
Johann Sebastian Bach: Klavierkonzert BWV 1052
Henri Dutilleux: Mystère de l'instant
Johann Sebastian Bach: Klavierkonzert BWV 1056
Antonín Dvořák: Sérénade op. 22

Evgeny Koroliov, Ljupka Hadzigeorgieva, Anna Vinnitskaya, Andras Keller(17.12.2017-Live-Budapest) FLAC

Concerto Budapest Bach Concert
Cond.: András Keller
Km.: Ljupka Hadzigeorgieva, Anna Vinnitskaya and Evgeny Koroliov (piano)

1. Pastoral from the Christmas Oratorio BWV. 248
2. Concerto for three pianos and orchestra D minor BWV.1063. (Koroljov, Hadzigeorgieva, Vinnitskaya)
3. Concerto for two pianos and orchestra c-moll BWV.1060. (Koroljov, Hadzigeorgieva),
4. Concerto for two pianos and orchestra c-moll BWV.1062. (Hadzigeorgieva, Vinnitskaya),
5. Piano Concerto A major BWV.1055. (Koroliov)
6. Concerto for three pianos and orchestra C major BWV.1064. (Koroljov, Hadzigeorgieva, Vinnitskaya),
(Academy of Music, 17 December 2017)
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Bartok radio

Polina Pasztircsák, Sergey Khachatryan (25.05.2017-Live-Budapest) FLAC

Live Bartók Béla National Concert Hall, 25.05.2017
Concert of the National Philharmonic Orchestra
Cond. Vasily Sinaisky
Km. Polina Pasztircsák - soprano,
Sergey Khachatryan - violin

1. Brahms: Violin Concerto in D major (Sergey Khachatryan),
2. Ravel: Shéhérazade - three poems for singing and orchestra - a) Asia, b) The magical flute, c) The indifferent (Pasztircsák)
3. Mussorgsky-Ravel: Pictures at an Exhibition
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Bartok radio

Anna Vinnitskaya (16.02.2017-Live-London) FLAC

Anna Vinnitskaya
Radio 3 Lunchtime Concert, Russian Revolutionaries Episode 3 of 4
Anna Vinnitskaya (piano) performs Tchaikovsky, Shostakovich and Prokofiev at LSO St Luke's, 16.02.2017

Fiona Talkington presents pianist Anna Vinnitskaya in Russian music from before and after the Revolutions of 1917.

Tchaikovsky: January, March and April (from The Seasons)
Shostakovich: Dances of the Dolls
Prokofiev: Piano Sonata No 6 in A major, Op 82
Bach-Siloti - Prelude in B minor (based on J S Bach's Prelude in E minor, BWV 855a)
Performer: Anna Vinnitskaya.
Anna Vinnitskaya (piano)

A century ago this week, Russia was convulsed by the first of two revolutions in a single year. (It's called the February Revolution because Russia still used an old calendar at that time.) To mark the anniversary, this Russian Revolutionaries series from LSO St Luke's in London features four pianists from Russia, Georgia and the Ukraine delving into the riches of Russian piano music composed before, after and even during the momentous year of 1917 - by Tchaikovsky, Rachmaninov, Medtner, Prokofiev and Shostakovich. In today's concert Russian pianist Anna Vinnitskaya includes Shostakovich's rarely heard set of pieces for children, Dances of the Dolls.
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Anna Vinnitskaya, Andras Keller (18.12.2016-Live-Budapest) FLAC

Concerto Budapest concert
Cond.: András Keller
Km .: Anna Vinnitskaya (piano)

1. Rachmaninov - Vocalise,
2. Sergei Rachmaninov: Piano Concerto No.2 (Anna Vinnitskaya),
3. Pjotr Tchaikovsky: The Nutcracker Suite,
(Béla Bartók National Concert Hall, 18 December 2016)
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Bartok radio
excellent

Bach, J.S. Matthaus-Passion, BWV 244 - Gotthold Schwarz (30.03.2018-Live-Leipzig) FLAC

Live aus der Thomaskirche Leipzig, 30.03.2018

Johann Sebastian Bach
"Matthäus-Passion" für Soli, Chor und Orchester BWV 244

Gerlinde Sämann, Sopran
Anke Vondung, Alt
Jörg Dürrmüller, Tenor - Evangelist
Martin Lattke, Tenor - Arien
Jochen Kupfer, Bass - Christus
Tobias Berndt, Bass - Arien
Thomanerchor Leipzig
Gewandhausorchester Leipzig
Leitung: Thomaskantor Gotthold Schwarz

unexpectedly, good performance.

Anna Vinnitskaya, Jukka-Pekka Saraste (14.01.2018-Live-Berlin) FLAC

Philharmonie Berlin
Aufzeichnung vom 14.01.2018

Jean Sibelius
Sinfonie Nr. 6 d-Moll op. 104

Jean Sibelius
Sinfonie Nr. 7 C-Dur op. 105

Sergej Rachmaninow
Konzert für Klavier und Orchester Nr. 3 d-Moll op. 30

encore - Shostakovich - Romance from Dances of the Dolls

Anna Vinnitskaya, Klavier
Rundfunk-Sinfonieorchester Berlin
Leitung: Jukka-Pekka Saraste
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deutschlandfunkkultur

James Galway, Daniel Dodds (14.08.2017-Live-Lucerne) FLAC

14. AUG 2017
KKL Luzern, Concert Hall

Festival Strings Lucerne 
Daniel Dodds  violin and musical direction
Sir James Galway  flute
Sir James Galway’s 40th Anniversary in Lucerne

Wolfgang Amadé Mozart (1756–1791)
Symphony No.29 in A major, K. 201 (186a)
Flute Concerto in D major, K. 314 (285d)
encore - Johann Sebastian Bach: Badinerie, from Orchestral Suite No 2 in B minor, BWV 1067
encore - Traditional Irish: Belfast Hornpipe
Jean Sibelius (1865–1957)
Suite from Pelléas and Mélisande, Op. 46
encore - Sibelius: Valse triste

Reunite with a legend: to mark the 40th anniversary of his Festival stage
debut, Sir James Galway, ”the man with the golden flute,” will play Mozart’s
D major Concerto, K. 314. The fact that its composer actually disdained the flute is impossible to tell from a single bar of this score. And if Mozart had known Galway, you can be sure he would have written more than two concertos for the instrument. Sir James enchants with his exquisite sound, immaculate technique, musical thoughtfulness, and spirited demeanor. To start the program, the Festival Strings will play another Mozart piece, the dazzling Symphony in A major, K. 201, which sets off veritable fireworks with its “Mannheim rocket” theme in the finale: audiences of the time found it so thrilling that they broke into applause. The second half will present a psychological drama from 1905: Jean Sibelius’s incidental music to Maurice Maeterlinck’s Pelléas et Mélisande – a Finnish alternative to the adaptations by Fauré, Debussy, and Schoenberg.